It has been a joy to listen to the first 3 speeches, including Deputy Tadier’s, because the recognition
of the importance of the arts has been clear. I agree entirely with Deputy Doublet when she says
proper arts and culture, they are not just events but provision. Proper arts and culture provision and
heritage provision is life-changing, I totally agree. I fundamentally believe that a creative society is
a resilient society. It is resilient when it is creative because it becomes innovative. You have less
fear of the world if you believe you can create and solve problems yourselves. That is part of arts
and culture funding, there is no doubt in my mind. It is why I believe that arts, culture, heritage
funding sits well within the Economy Department because I believe the economic benefits of a proper
arts and culture provision are enormous. I remember the debate in - was it 2019, I believe, Deputy
Tadier? - when Deputy Tadier brought his original proposition which I absolutely voted for
wholeheartedly, I remember a few things that I said. One of them was the importance of the arts is
that it teaches us to see through other people’s eyes, it helps us empathise with people, it helps us
understand other people’s perspectives in a way that other pursuits do not. It obviously brings us,
because of the heritage funding as well, closer to our own heritage, our own understanding, our own
identity and culture. On the cultural side it is just endless. There is so much that we can talk about,
whether it is us liaising more closely with France, Brittany and Normandy, whether it is us sending
art teachers to teach in French schools, which is what we do, to have residencies in Rennes, Guernsey,
Jersey and have that taking place, all of which has been funded through the arts and culture and
heritage provision. I fundamentally believe one of our problems in Jersey is holding on to young
people. They are faced with high housing prices, they are faced with limited career options, which
is always going to be a problem in a small Island. I grew up - and I remember saying this in the
debate as well - believing that arts, culture, heritage were not funded properly in Jersey. At the time,
I remember saying this in the early 2000s to a friend of mine, if 2 banks - and I will not name them -
but there were 2 particular banks, if they did not sponsor it, it would not happen in arts and culture
because Government was not funding it. The frustration I had at that, as someone who has always
been engaged in arts and culture to be in Jersey and to feel that it was something that was missing,
really hurt. From a career perspective, it meant I felt that I could not pursue that sort of career in
Jersey. The nearest I got was marketing, which is very creative, and I enjoyed my career in
marketing. To be honest, I am not even close to being talented enough to be an artist or a musician,
but had I had that level of talent, I perhaps would have felt forced out of the Island, and I wanted
young Islanders to feel that they could stay in Jersey. One of the ways to help them stay in Jersey if
they wanted to pursue more artistic pursuits was to have career paths there and now, for the first time,
we have got them. We have artists who feel supported; it is absolutely wonderful. We have got the
“Bergerac” funding that has had 4 trainees on that whole production who have learnt how to work
across the piece. They were not doing one job each on that production, they were doing a whole
range of jobs across that production. I had the pleasure of speaking to one or 2 of them and they were
so pleased with the opportunity that that production gave them because they now have stuff on their
C.V. (curriculum vitae), which they can take to future employers in future productions. It is
absolutely invaluable. To hear people talk so positively, and absolutely thank you to Deputy Tadier
for agreeing, he and I are really in lockstep in believing in the value of arts and culture. I thank him
for not trying to bash me in some way, anti-art or anti-culture, because I think most Members of the
Assembly would realise is very, very far from the truth. I am really proud, there is no question, of
this list here that Deputy Tadier really kindly circulated about how a lot of the arts and culture funding
is spent. One small point of clarification, I guess, is I believe - I am happy to be wrong; I am happy
to be proven wrong - the Jèrriais funding was done from the Economy Department before the 1 per
cent for the arts. I think that was the case but obviously it became easier once the 1 per cent for the
arts was in place because the arts had more money and we were able to do the Jèrriais funding from
there as well. I am particularly proud of the Ballet d’Jèrri. There is no way the Ballet d’Jèrri which
people all ages are enjoying so much ... I was so pleased I spoke to the director just a couple of weeks
ago. She has now booked their first tour dates in Paris, I believe, next April, so they are now
ambassadors for the Island, they are taking the Island out. I recommend anybody go to their
performances. It is different; I find it absolutely wonderful. Of course, from the perspective of girls,
because it has to be said, being the father of a daughter, I know that there are hundreds, if not
thousands, of mainly young girls - it is not 100 per cent young girls but mainly young girls - who
pursue dance at a young age, ballet and other dance, from a very young age. Now they have got a
company, a professional ballet company and dance company in the Island that they can look to and
believe that they can be that person in the way that I, when I was a young lad and absolutely useless
at football, but still liked to believe I could play for Liverpool one day. I “believed”, definitely a past
tense use there. But it was important for me and, while Liverpool did not play in Jersey, I realise
how important role models are to us. The ballet provides role models for anyone who is interested
in dancing performance in the Island and all those young people now look up to them. I think the
debate is settled on arts, culture and heritage as being absolutely vital to our Island life, and what the
1 per cent has really done is boosted it, taken it to a new level where it is operating in support of the
tourism industry. It is operating in support of the finance industry. It is operating in support of Home
Affairs because, for instance, I know ballets and various art projects are being done in prisons; in the
prison, we have only got one prison. Arts, culture and heritage, it is in support of health, in support
of old age, in support of education. As Minister, and I hope Deputy Tadier who brought the original
proposition would agree, and I think from his speech he clearly does, I have been really clear that
this is not just for the Minister for Sustainable Economic Development to spend purely on directly
economically-related things. We have, and I have, wanted that spend to seep into other departments,
to support other departments, where it is arts and culture related, and to help them do that. To hear
Deputy Gardiner, the former Minister for Education, explain how important that was to arts in schools
is absolutely vital. I like to be a collaborative person and that is it in action. Nobody in this Assembly,
I believe, would be able to say that the 1 per cent has not served an incredibly important purpose, but
I think the important thing here is that in so many ways that purpose has been served. We went from
such a small amount of arts and culture funding to such a significant amount of arts and culture
funding and we have transformed the Island as a result, and we are continuing to transform the Island
as a result. But, this is to another matter, the argument is not over, the value of the arts in terms of
do we think it is valuable or not, I believe that is settled, the question is: is this the right formula to
continue with? Over the last 3 or 4 years in Government, I have come to believe that it was the right
mechanism to get arts funding to where it is today, but as an ongoing provision it is not the right way
to do this. That was really brought home to me when Deputy Luce lodged his proposition which
initially, I believe, was 1 per cent for agriculture. I could see as soon as that proposition was lodged,
and I talked about it with the farmers beforehand, and said: “We really should not do 1 per cent. The
need of agriculture” and we had worked with the agriculture officer on this, “is not 1 per cent” which
back then would have been £9.5 million, £10 million. That was not what we needed in agriculture,
we needed a sum; I believe it was £6.7 million in the end. That was the assessed amount that we
needed for agriculture and a marine economy. Had we agreed to 1 per cent, yes, we would have put
a lot of money into agriculture, of course, we could find ways to spend £10 million, £11 million in
agriculture, do not get me wrong, but it was not the actual need. Beyond that, this 1 per cent formula
creates a problem, and it creates a problem which it is based on expenditure, it is 1 per cent of
expenditure of the Government. In order to honour that, which to be fair the Minister for Treasury
and Resources has continued to do, we have to adjust the actual budget through the year. I believe I
am correct in this because I do remember the Treasurer telling me this, there is an adjustment 6
months in because they have a reforecast of government expenditure and often it is higher than it was
first believed at the beginning of the year. They then have to put extra funding into arts and culture
because other departments are spending more than it was expected. What I am trying to describe to
you with the 1 per cent formula is a spiral of increasing cost. In simple terms, the way I have put it
to people, if one department overspends, arts, culture and heritage gets more money. What you can
see there is, in a sense, if I was really, really focused on arts, culture and heritage, I would be
encouraging all other departments to overspend constantly because, as arts and culture Minister I
would be getting more and more money for arts and culture, and in itself that creates a spiral. I do
not believe this has happened. As an example, I am just using these numbers because it makes for
easy thinking, if you have a department which overspends by £100 million, the Treasurer has to give
an extra £1 million to the arts and culture budget, so suddenly your increase in expenditure is not just
£100 million, it is £101 million, and that is the fundamental flaw in this formula. It encourages
increased expenditure, an ongoing spiral of increased expenditure. That is the reason why I was
working with Deputy Luce back when it came to the agriculture budget to please do not go down the
1 per cent route, let us find a way, because what you will do then, you will have 2 budgets which
every time there is an overspend somewhere else, you are then having to put more money into those
other 2 budgets.
[14:45]
It has been talked about having a 1 per cent for sport, so then you would have 3 budgets. Every time
there is an overspend somewhere else, you have got these 3 budgets that have to be topped up even
more. So your £100 million overspend suddenly becomes £103 million, because you have got to top
up the sport, you have got to top up the agriculture, you have got to top up the arts by £1 million
each, and that is the fundamental flaw in the formula. I did not see that in 2019, I had only been in
the States for about a year. To be honest, us voting for that at the time was the right thing to do
because what it did, it served its purpose, as I have said before, of taking arts and culture spending
from what was far, far too little to a much more significant amount. But we are at the right amount,
2025, £11.5 million. As Minister, I am really comfortable that that is a superb amount and we can
use that really, really well, and to move it onwards beyond that every year to go up by R.P.I. is about
right. At the moment, I do not have to make a business case for further expenditure in the arts and
culture budget because obviously it is growing as government expenditure grows. Every other
Minister, whether it is the Minister for Health and Social Services, whether it is the Minister for
Justice and Home Affairs, whether it is the Chief Minister, they have to make business cases to ask
for more funding for a particular project. I do in other areas outside of arts and culture, but I do not
have to in arts and culture. Even in agriculture, which is now an R.P.I.-linked formula, if I wanted
to go beyond that R.P.I.-linked formula, I have to make a business case, just as all other Ministers
do, and it would be same here. We go to an R.P.I.-linked formula, then I, if I want to do a particular
project somewhere which is going to cost another £500,000 beyond the £11.5 million that we have
got, I have to take to the Council of Ministers a business case and try to win that argument. I do
believe that is fundamentally the right thing to do because all the other Ministers are having to do
that and there can be arguments, let us say, around health, that you could argue some of that is
sometimes more important than arts and culture to certain areas; same with education. Sometimes
some of the things there might be more important than some of the things in arts and culture, but they
are having to make business cases and I am not; I just get the extra funding. Do not get me wrong,
as a Minister it makes my life much, much easier for arts and culture. I do not pretend that is not the
case, it is a relief I do not have to do that work, but there is, in many ways, a fundamental unfairness
about it. There is also something else which has not been mentioned, and I do understand why,
because I do not think in the last 20 years I have seen a Government budget be less one year than the
previous year, but it could happen. There is nothing which says government expenditure has to
increase year on year, government expenditure could decrease. If government expenditure was to
decrease, the arts and culture Minister would have a really difficult problem because 1 per cent would
absolutely shrink, so it is not a 100 per cent guarantee that the arts and culture budget gets bigger
every year. The moment government expenditure decreases, the arts and culture budget decreases.
With an R.P.I.-fixed formula that would not be the case, the arts and culture budget would grow with
that. It cannot be said that you are guaranteed every year an increase in arts and culture funding but
I accept it is probably - by a long way probably - the most likely thing to happen, but it can be the
case that it would decrease. I think it is really important to point out some certain areas. Since 2021
the total budget for arts, culture and heritage has grown from £6 million to our proposed £11.5 million
next year. That is nearly double the budget over 4 years and I think that is absolutely the right thing
to do; we are pleased we have done this. But of course, as I said before, I have not had to put business
cases to do that, I have not had to show why I deserve, or why the arts, culture and heritage budget
deserves that money. I just hope that when people look at this spend that Deputy Tadier has passed
around, I hope they think I have done the right thing and I have done a good job. That is what I hope
people see but obviously it is all challengeable, and some people are bound to think it should have
been here and not there. That is why I was really pleased that Deputy Doublet talked about ArtHouse
Jersey. It was one of the things I did when I first became Minister for arts and culture, and I think I
was Assistant Minister at this time, was I said: “I significantly want to increase ArtHouse Jersey’s
budget” and I almost tripled it in one year because I could see that their approach to arts and culture
was the sort of approach that I wanted: it was wide, it was diverse, it was open. One of the things I
do worry about in arts and culture is gatekeepers. If Kirsten is the only person who decides what arts
goes on in Jersey, then you are only going to get Kirsten’s view of what arts goes on in Jersey. Art
is diverse by its nature, so you have to have a wide variety of gatekeepers, in my view, and by
supporting ArtHouse Jersey in that way, I believe we have done fantastic things. The events
landscape has been transformed by them, whether it is shirts looking like they are being laundered at
Charing Cross or whether it is a giant globe floating on Queen’s Valley Reservoir, or whether it is
grains of rice in Capital House or whether it is Capital House itself. I am so, so proud of Capital
House. That was ArtHouse Jersey’s initiative because they suddenly had the funding that they had
not had before, so they said we could open Jersey’s first free public gallery, and that is what they
have done. So many artists, whether they are international or local, have been shown there and it is
a wonderful, small space which they use incredibly well. I suggest to anybody who is feeling tense,
feeling pressured, feeling like they just do not know what to do this lunchtime, pop to Capital House.
They are closed on Mondays and Sundays but outside of that, when they have got an exhibition on it
is a fantastic place to go and spend an hour. There is no doubt in my mind that the 1 per cent has that
unfairness about it. I think I am right in thinking this, the only way that 1 per cent would work in a
fair way across the Government budget would be if the whole budget was worked out by percentages,
27 per cent for health, 13 per cent or 14 per cent ... I am trying to think of where they are, 15 per
cent, 16 per cent, 17 per cent, 20 per cent for education, 1 per cent for the arts, 0.5 per cent for
agriculture, whatever it may be. If you did the whole budget in that way, then I think it would be
fairer. But because we as an Assembly have sliced out one portion of that budget for this 1 per cent,
it does create an unfairness on pretty much every other department and, as I say, it also creates a
spiral of growing expenditure. I do want to say, because I do not want these things to get mixed up,
alongside the 1 per cent we have also spent I think £11.7 million on the Opera House. We have also
spent roughly £6 million on the refurbishment of Elizabeth Castle. It is really important to note that
they are not from the 1 per cent for the arts. They are separate capital projects that had to be
championed and, to be fair, I think Elizabeth Castle, again, Deputy Tadier was behind the Elizabeth
Castle funding. That was through a Government Plan, I believe, but there was lobbying before that;
I think I am right in thinking. Obviously the Opera House has been a long-standing project but they
are supported by the 1 per cent. What is really important to understand, if we do not use the 1 per
cent for capital projects, we use the 1 per cent for the operational revenue expenditure. Capital
projects are still going through that normal capital projects bidding process, so to speak. If we were
to maintain the existing formula at the current forecast, it would mean finding an additional £719,000
each year against other spending pressures, and we know there are real spending pressures. I look
across, I see the Minister for Infrastructure, I know that we have issues in infrastructure such as
drains, et cetera, things like this, which are huge capital amounts, which definitely are losing out to
some extent because arts, culture and heritage will get another £700,000 next year and it will get
probably another £700,000 after that, et cetera, et cetera. I know £700,000 will not sort out our
drainage infrastructure but it is just an example of the way that the arts and culture budget will hinder
other departments where they need it too. I cannot pretend that the higher priority for the States
should be arts and culture. Arts and culture is a really important priority, it is personally a huge
priority for me. I was really gratified when someone who is an important person in the arts and
culture scene in Jersey said to me: “You have been a fantastic champion for arts and culture in Jersey”
and I want to be seen as that because that is how I want to act. But I do not believe by changing this
formula that I am in any way denting arts and culture in Jersey, I believe it just allows us to put arts
and culture on a level, now that we have brought it up to the right level, that we are then putting it on
the level in the way we manage the budget in the same way as all other budgets, except for Overseas
Aid which obviously still sits with a G.V.A. link. As you come to vote on this, I ask you not to think
about whether the Government is championing art, whether the Minister is championing art, that
debate is settled. We have heard it. We have heard it from the bringer of the proposition, we have
heard it really kindly from Deputy Doublet and Deputy Gardiner, that is not the issue in question.
The Government continues to support arts, culture and heritage, I continue to support arts, culture
and heritage, but what we are asking for is the ability to now bring that into line in the way we
attribute future growth into line with other budgets in the same way, and that is what is being asked
for here. The debate is about the formula, it is not about the value of art, it is not about the importance
of art, it is not about the importance of anything else. It is just about the way we fix that and to stop
arts and culture becoming that spiral, and a model, if it catches on, a model for other, let us call them
minority budgets in the entirety of the Government Plan, because if that model was to catch on,
government expenditure would very quickly fly out of control. I do know that with this Government,
trying to take control of government expenditure is a real priority for it, and this particular formula
is one example where it makes it harder to take control of a budget. With that, I make my case.